Trafalgar theatre, London
Zinnie Harris’s version of the Jacobean play makes potent points about power but is hamstrung by an overbearing production
John Webster’s revenge tragedy contains a terrible timelessness. To modernise this story of a woman who refuses to be submissive and is killed by her brothers for it is to highlight the eternal relevance of male domestic violence, even against a figure as powerful as Webster’s wealthy duchess.
Zinnie Harris’s updated version from 2019, taking place in an indistinct present with swearing and sex alongside some 17th-century formalities, makes hard-hitting points on the sociopathic reasoning for murderous misogyny. But it is too much of a melange of tone and ideas. Jodie Whittaker, returning to the stage after more than a decade’s absence, gives a spirited leading performance but is hamstrung by the strangeness of Harris’s own production.
At Trafalgar theatre, London, until 20 December
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